Analog Hybrid Mastering Masterclass
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Introduction to Hybrid Analog Mastering

Analog Hybrid Mastering- A Warm Welcome By Dom
Meet Your Instructor- An Introduction By Dom Sigalas
Mastering Fundamentals

My Mastering Approach
Room Treatment
Headphones VS Monitors
Sample Rates- Which One Should You Use?
Bit Depth And Why It Matters
Preparations for Analog Mastering

Preparing The Project For Hybrid Mastering
Preparing The Hybrid Analogue Mastering Chain
Gain Staging For The Mastering Chain
Corrective Processing In-The-Box

Corrective EQing In The Box
Analog Processing

Tour Of The Analog Mastering Chain
Analogue EQ Stage 1 Zäel EQ
Tube Saturation For Richness
Calibrating Analog Gear
Increasing Perceived Loudness With Tube Saturation
Analog Bus Compression - The Legendary SSL Bus Compressor
API2500+ :The Punch Secret Weapon
Analog Mid-Side EQ - Bettermaker Mastering EQ
Adding Depth And Color - Master Bus Transformer
Mid-Side Parallel Compression - The Sauce
Tube Mastering EQ - The Manley Massive Passive
Making things LOUD- The Final Touches

Comparing To The Reference Track
Analog Limiting And Clipping- Converter Clipping Secrets
Adding The Final Touches
Go Out And Master
Genre-specific Mastering Tips

Mastering A Rock Track
Mastering Orchestral Classical Music
Cubase Template Workflow

Overview Of Dom's Personal Mastering Template
Setting Up Your Reference Tracks
Setting Up For Album Mastering
Setting Up You Metering For Mastering
Mastering Power Knowledgebase (Common Mastering Chapters)

The Crest Factor And Why You Should Care About It.mov
Resetting Your Ears.mov
Dithering-Why It's Important.mp4
Stem Separation.mp4
Sample Rate VS Bit Depth.mov
Too Much Processing.mov
Listening To Multiple Monitor Speakers.mov
Spectral Editing.mp4
Making Mastering Revisions.mov
Unreasonable Mastering Requests.mov
Supporting Material

Dom Sigalas Hybrid Mastering Template.cpr
Emotionless_Course Edition.wav
Lacrimoza Dom Arrangement_Course Edition.wav
Crime Reborn Mix_Course Edition.wav
Mastering Signal Flow.pdf

Resetting Your Ears.mov

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